Monday, April 19, 2010

Invoicing: Examples & Best Practices

Invoice Like A Pro: Examples and Best Practices

Your invoice should be prim and proper, so that you can get paid by your clients efficiently. While invoicing is not a fun task, it's a necessary one: by keeping clients informed of your expectations, you will get paid punctually and reinforce your professionalism. After going over some best practices for creating invoices, we'll review some great (and not so great) online invoicing tools, so that you can spend less time creating invoices and more time doing the things you love!

So here are some general guidelines, best practices and examples that will help you make sure your invoices are up to spec.

1. Their Details and Yours

This is Mickey Mouse stuff, but you can't afford to forget it. In addition to the client's address, make sure to include the name of the client's contact person who handles your account! A company with three employees can figure out what you're doing; but in big companies, invoices get misplaced, especially if there's confusion over who belongs to which project.

You'll also need your company name, your name, address, telephone number and email address. If they have any questions about the charges, contacting you should be as easy as possible.

Design by Nancy Roy Creative | Full view

Nancyroy Thumb in Invoice Like A Pro: Examples and Best Practices

2. Itemized List of Services

People want to know what they've paid for. Most people will not pay for something described merely as "Design." Tell them exactly what they have received: e.g. "Design of three-page static website for Sporting Goods Department." Be as specific as possible. In five years, would both you and the client know what you meant by your description? Also, specify whether the charge is project-based or hourly.

Design by Hicks Design | Full view

Hicks Thumb in Invoice Like A Pro: Examples and Best Practices

3. Include Your Terms

When do you expect the client to pay you? What happens if they miss the deadline? To be able to send follow-up or overdue notices or to charge interest, you need a rock-solid paper trail that no one can argue with.

Design by Francisco Inchauste | Full view

Franc in Invoice Like A Pro: Examples and Best Practices

4. Let Them Know How to Pay You

Do you want a cheque mailed to you, a money transfer, flowers? Be explicitly clear about what you expect and in what form. It is usually best to discuss with the client beforehand their preferred method or to come to an agreement about a method you both like.

If you want a money transfer, provide all the necessary information. Foreign transfers need more than your account number: in some countries, you need your International Bank Account Number (IBAN) or a Bank Identifier Code (BIC). International transfers also double-charge you: the client's bank might charge you $20, and your own bank might charge you another $15 to accept the payment. Make it clear which of you will absorb these charges, and talk it it out with them. PayPal is another option, but you still get charged a percentage of the transaction.

Design by Epic Web Agency | Full view

Epic Thumb in Invoice Like A Pro: Examples and Best Practices

5. Numbers and Numbers and Records and Books

Referring to "invoice #9048," rather than "That invoice I sent you last month, I think on a Tuesday," is much easier to track for both you and your client.

Assign numbers to your invoices systematically, consistently and chronologically. Some people number their invoices by year (for example, 2009043 would be the 43rd invoice of 2009). You could also specify a code for the project. For example, BRAINEOS06 would be the 6th invoice for the braineos project that you're currently working on. Having an invoice and project numbering system keeps everything in line.

Design by Graeme Duckett | Full view

Duckett in Invoice Like A Pro: Examples and Best Practices

6. Thank Them, and Ask Them to Thank You

Money is often a touchy subject, so politeness about it is a good idea. Your clients are paying you money that they've earned with blood, sweat and tears, so let them know you appreciate it. You should also invite them to contact you if they have any questions and, more importantly, make it clear that you appreciate their present (and future) business.

Some people also welcome testimonials; for example, by adding, "Let us know how we did. Write a testimonial: info@example.com." If you're building your website's testimonials page or want to complete the feedback loop, this is a great way to get clients to give feedback on your work. If they have suggestions for making the process smoother, it's also a great opportunity for you to improve.

Design by BGG Design Studio | Full view

Bggdesign Thumb in Invoice Like A Pro: Examples and Best Practices

7. Don't Forget: You're a Designer

Imagine this, you're at an expensive restaurant. Every detail is perfect: the food was fantastic, the service excellent and the atmosphere rich and plush. Then, you receive the bill, which is printed on cheap paper with low-quality ink. What would you remember about this experience?

Most people spend hours on their website design, business cards and resumes but then use a template for their invoice.The invoice is your last contact with your client, and it should share the attention to detail, branding and style of your other elements. By creating a beautiful, clear invoice, you are saying that you care about the little details.

Most importantly, make sure you have all the necessary information. Make sure there are no spelling mistakes and that your spacing is consistent. Customize your invoice as much as you can. Your logo is a must, but colors and a style that match your other branding items will make it a joy to pay (well, as much as is possible).

Vintage in Invoice Like A Pro: Examples and Best Practices
A vintage UK design from the year 1936. In some situations it may be worth considering sending a nice vintage design to your customer. Source.

The invoice is a boring document, and one often neglected. Andy Clarke from Stuff and Nonsense has had "fix up my invoice" on his to-do list for 10 years. This was a fairly typical response from many I had asked!

Jon Hicks lamented that, "The problem is that a lot of tools for invoicing make it quite hard to customize the template. I use Billings, which is a great app, but doing basic things like getting elements to line up require a pound of flesh!"

[Offtopic: by the way, did you know that Smashing Magazine has one of the most influential and popular Twitter accounts? Join our discussions and get updates about useful tools and resources — follow us on Twitter!]

Further Invoice Design Examples

Whether you're using invoice software or designing your invoice from scratch, creating a beautiful invoice is possible. Here are a few examples.

Design by Chase (holdsnowater) | Full view

Retro in Invoice Like A Pro: Examples and Best Practices

Design by Cameron McEfee | Full view

Cameronmcefee Thumb in Invoice Like A Pro: Examples and Best Practices

Design by Thomas Maxson | Full view

Tmax in Invoice Like A Pro: Examples and Best Practices

Design by Microspective | Full view

Micro in Invoice Like A Pro: Examples and Best Practices

Design by Julie Fitzgerald | Full view

Julie Thumb in Invoice Like A Pro: Examples and Best Practices

Design by Stereotypes | Full view

Stereo Thumb in Invoice Like A Pro: Examples and Best Practices

Design by Veerle Pieters for Devia | Full view

Devia in Invoice Like A Pro: Examples and Best Practices

Design by Ole Martin Buene | Full view

Dem in Invoice Like A Pro: Examples and Best Practices

Design by Impulse Studios | Full view

Imp in Invoice Like A Pro: Examples and Best Practices

Design by Sugar Rush Creative | Full view

Sugarrush Thumb in Invoice Like A Pro: Examples and Best Practices

Design by Yummygum | Full view

Yummygum Thumb in Invoice Like A Pro: Examples and Best Practices


Friday, April 16, 2010

Iceland's disruptive volcano

 clipped from www.boston.com


Today, British civil aviation authorities ordered the country's airspace closed as of noon, due to a cloud of ash drifting from the erupting Eyjafjallajökull volcano in Iceland. The volcano has erupted for the second time in less than a month, melting ice, shooting smoke and steam into the air and forcing hundreds of people to flee rising floodwaters. The volcanic ash has forced the cancellation of many flights and disrupted air traffic across northern Europe, stranding thousands of passengers. Collected here are photos of the most recent eruption, and of last month's eruptions, which were from the same volcano, just several miles further east. (18 photos total)



Smoke billows from an erupting volcano which seems to be close to the top of the Eyjafjalla glacier on April 14, 2010 near Reykjavik. All London flights, including those from Heathrow, will be suspended from noon (1100 GMT) today due to volcanic ash from Iceland that has already caused almost 300 cancellations here, officials said. (AFP/Getty Images)



An aerial handout photo from the Icelandic Coast Guard shows flood caused by a volcanic eruption at Eyjafjalla Glacier in southern Iceland April 14, 2010. The volcanic eruption on Wednesday partially melted a glacier, setting off a major flood that threatened to damage roads and bridges and forcing hundreds to evacuate from a thinly populated area. Picture taken April 14, 2010. (REUTERS/Icelandic Coast Guard/Arni Saeberg) #



Melting ice caused by a volcanic eruption at Eyjafjalla Glacier in southern Iceland April 14, 2010. (REUTERS/Icelandic Coast Guard/Arni Saeberg) #



Photo taken on April 14, 2010 the Markarfljot glacial river, west of the Eyjafjalla glacier. Iceland's second volcano eruption in less than a month melted part of a glacier and caused heavy flooding on April 14, forcing up to 800 people to evacuate and grounding some flights over Norway. (HALLDOR KOLBEINS/AFP/Getty Images) #



Flooding caused by a volcanic eruption at Eyjafjalla Glacier in southern Iceland April 14, 2010. (REUTERS/Icelandic Coast Guard/Arni Saeberg) #



A man takes a picture of a road that has been washed away by flood water following the melting of the Eyjafjalla glacier due to the eruption of a volcano on April 14, 2010 near Reykjavik. (HALLDOR KOLBEINS/AFP/Getty Images) #



In this Wednesday April 14, 2010 photograph, smoke and steam are seen rising from the volcano under the Eyjafjalla glacier in Iceland, which erupted for the second time in less than a month, melting ice, shooting smoke and steam into the air and forcing hundreds of people to flee rising floodwaters. (AP Photo/Icelandic Coastguard) #



A natural-color satellite image shows lava fountains, lava flows, a volcanic plume, and steam from vaporized snow. The image was acquired on March 24, 2010, by the Advanced Land Imager (ALI) aboard NASA's Earth Observing-1 (EO-1) satellite. The lava fountains are orange-red, barely visible at the 10-meter (33-foot) resolution of the satellite. The scoria cones surrounding the fissure are black, as is the lava flow extending to the northeast. White volcanic gases escape from the vent and erupting lava, while a steam plume rises where the hot lava meets snow. (The bright green color along the edge of the lava flow is an artifact of the sensor.) (NASA's Earth Observatory/Robert Simmon)#



This picture taken on March 27, 2010 shows lava spurting out of the site of a volcanic eruption at the Eyjafjallajökull volcano some 125 km east of Reykjavik. With lava still gushing, a small Icelandic volcano that initially sent hundreds fleeing from their homes is turning into a boon for the island nation's tourism industry, as visitors flock to catch a glimpse of the eruption. (HALLDOR KOLBEINS/AFP/Getty Images) #



Tourists gather to watch lava spurt out of the site of a volcanic eruption at the Eyjafjallajökull volcano on March 27, 2010. Up to 800 people were evacuated in Iceland early on April 14, 2010 due to a volcano eruption under the Eyjafjallajokull glacier in the south of the island, police and geophysicists said. (HALLDOR KOLBEINS/AFP/Getty Images) #



People gather to watch lava flow at the site of a volcanic eruption at the Eyjafjallajökull volcano near the Eyjafjalla glacier on March 27, 2010. (HALLDOR KOLBEINS/AFP/Getty Images) #



Heat shimmers above lava flowing from the Eyjafjallajökull volcano in Iceland on March 28th, 2010. Original here. (Bruce McAdam / CC BY-SA) #



Lava spews out of a mountain on March 21, 2010 in the region of the Eyjafjalla glacier in Iceland. (RAGNAR AXELSSON/AFP/Getty Images) #



Lava spurts out of the site of a volcanic eruption at the Eyjafjallajökull volcano near the Eyjafjalla glacier in Iceland on March 27, 2010. (HALLDOR KOLBEINS/AFP/Getty Images) #



Smoke and steam hang over the volcano under the Eyjafjalla glacier in Iceland, early Thursday April 15, 2010. (AP Photo/Brynjar Gaudi) #



Lava spews out of a mountain on March 21, 2010 in Hvolsvöllur in the region of the Eyjafjalla glacier in Iceland. (Fior Kjartansson/AFP/Getty Images) #



Steam and hot gases rise above lava flowing from the Eyjafjallajökull volcano on April 3rd, 2010. Original here. (Ulrich Latzenhofer / CC BY-SA) #



This image made available by NEODASS/University of Dundee shows the volcanic ash plume from Iceland, top left, to the north of Britain at received by NASA's Terra Satellite at 11.39 GMT Thursday April 15, 2010. (AP Photo/NEODAAS/University of Dundee) #
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Digital Economy Act 2010 - What Does it Mean For You?

Digital Economy Act: This means war

Baking surveillance, control and censorship into the very fabric of our networks, devices and laws is the absolute road to dictatorial hell

The Pacific - 2010

The Digital Economy Act declares war on people who illegaly downloiad TV shows such as second world war drama The Pacific. Photograph: HBO/Rex Features

With the rushed passage into law of the Digital Economy Act this month, the fight over copyright enters a new phase. Previous to this, most copyfighters operated under the rubric that a negotiated peace was possible between the thrashing entertainment giants and civil society.

But now that the BPI and its mates have won themselves the finest law that money can buy – a law that establishes an unprecedented realm of web censorship in Britain, a law that provides for the disconnection of entire families from the net on the say-so of an entertainment giant, a law that shuts down free Wi-Fi hotspots and makes it harder than ever to conduct your normal business on the grounds that you might be damaging theirs – the game has changed.

I came to the copyfight from a pretty parochial place. As a working artist, I wanted a set of just copyright rules that provided a sound framework for my negotiations with big publishers, film studios, and similar institutions. I worried that the expansion of copyright – in duration and scope – would harm my ability to freely create. After all, creators are the most active re-users of copyright, each one of us a remix factory and a one-person archive of inspirational and influential materials. I also worried that giving the incumbent giants control over the new online distribution system would artificially extend their stranglehold over creators. This stranglehold means that practically every media giant offers the same awful terms to all of us, and no kinder competitor can get our works into the hands of our audiences.

I still worry about that stuff, of course. I co-founded a successful business – Boing Boing, the widely-read website – that benefits enormously from not having to pay fealty to a distributor in order to reach its readers (by contrast, the old print edition of Boing Boing folded when its main distributor went bankrupt while owing it a modest fortune and holding onto thousands of dollars' worth of printed materials that we never got back). My novels find their way onto the bestseller list by being distributed for free from my website simultaneous with their mainstream bookstore sales through publishers like Macmillan and HarperCollins and Random House.

My whole life revolves around the digital economy: running entrepreneurial businesses that thrive on copying and that exploit the net's powerful efficiencies to realise a better return on investment.

Parliament has just given two fingers to me (and every other small/medium digital enterprise) by agreeing to cripple Britain's internet in order to give higher profits to the analogue economy represented by the labels and studios.

But today, my bank-balance is the least of my worries. The entertainment industry's willingness to use parliament todi impose censorship and arbitrary punishment in the course of chasing a few extra quid is so depraved and terrible that it has me in fear for the very underpinnings of democracy and civil society.

In the US, the MPAA and RIAA (American equivalents of the MPA and the BPI) just submitted comments to the American Intellectual Property Czar, Victoria Espinel, laying out their proposal for IP enforcement. They want us all to install spyware on our computers that deletes material that it identifies as infringing. They want our networks censored by national firewalls (U2's Bono also called for this in a New York Times editorial, averring that if the Chinese could control dissident information with censorware, our own governments could deploy similar technology to keep infringement at bay). They want border-searches of laptops, personal media players and thumb-drives.

They want poor countries bullied into diverting GDP from humanitarian causes to enforcing copyright. And they want their domestic copyright enforcement handled, free of charge, by the Department of Homeland Security.

Elements of this agenda are also on display (or rather, in hiding) in the secret Anti-Counterfeiting Trade Agreement, a treaty being drafted between a member's club of rich nations. They've turned their back on the United Nations to negotiate in private, without having to contend with journalists or public interest groups. By their own admission, they intend to impose this treaty on poor countries as a condition of ongoing trade, and in the US, the Obama administration has announced its intention to pass ACTA without Congressional debate.

I'm not such a techno-triumphalist that I believe that the free and open internet will solve all our socio-economic problems. But I am enough of a techno-pessimist to believe that baking surveillance, control and censorship into the very fabric of our networks, devices and laws is the absolute road to dictatorial hell.

Chekhov wrote that a gun on the mantelpiece in act one is sure to go off by act three. The entertainment industry's blinkered pursuit of its own narrow goals has the potential to redesign our technology to be the perfect tools and excuses for oppression.

Monday, April 12, 2010

National Park Week - April 17-25

Photo of Park Ranger with visitors at Grand Canyon National ParkDuring National Park Week entrance to all 392 national parks is free
To make it easier to experience America's Great Outdoors, the National Park Service is waiving entrance fees, so visitors can enjoy all 392 national parks for free April 17-25.

Friday, April 09, 2010

YouTube Beta Enhancements

"Feather" Beta


This is an opt-in beta for "Feather" support on YouTube. The "Feather" project is intended to serve YouTube video watch pages with the lowest latency possible. It achieves this by severely limiting the features available to the viewer and making use of advanced web techniques for reducing the total amount of bytes downloaded by the browser. It is a work in progress and may not work for all videos.


Your comments will help us improve and perfect the mixtures we're working on. So jump in, play around, and send your feedback directly to the brains behind the scenes.


http://www.youtube.com/feather_beta


YouTube HTML5 Video Player

This is an opt-in experiment for HTML5 support on YouTube. If you are using a supported browser, you can choose to use the HTML5 player instead of the Flash player for most videos. Your comments will help us improve and perfect the mixtures we're working on. So jump in, play around, and send your feedback directly to the brains behind the scenes.


Supported Browsers

Right now we support browsers that support both the video tag in HTML5 and the h.264 video codec. These include:

  • Google Chrome
  • Apple Safari (version 4+)
  • Microsoft Internet Explorer with Google Chrome Frame installed (Get Google Chrome Frame)


Updates!

  • 1/27/2010: Fullscreen support enabled (if supported by browser).


Additional Restrictions (we are working on these!)

  • Videos with ads are not supported (they will play in the Flash player)
  • Fullscreen is not supported
  • If you've opted in to other testtube experiments, you may not get the HTML5 player (Feather is supported, though)




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